(Fwd) EPIC-LST Digest 4-7 December 2004
Moldovan Istvan
moldovan at oszk.hu
2004. Dec. 13., H, 17:23:14 CET
Friss hírek a nagyvilágból.
István
------- Forwarded message follows -------
Date sent: Fri, 10 Dec 2004 11:39:14 +0100
Send reply to: Preservation/Conservation of documentary Heritage in
Europe <EPIC-LST at NIC.SURFNET.NL>
From: Ecpa <Ecpa at BUREAU.KNAW.NL>
Subject: EPIC-LST Digest 4-7 December 2004
To: EPIC-LST at NIC.SURFNET.NL
This posting contains seven messages:
1. ARSC grants program in the field of sound recording and audio preservation.
2. Call for papers - IASA Conference 2005, Barcelona, 11-15 September (En-Sp)
3. Proceedings: Performance Documentation and Preservation in an Online
Environment (for sale)
4. December issue of the SPARC Open Access Newsletter
5. Museums and the Web 2005: Preliminary Program and Registration On-line
(Vancouver, Canada, 13-16 April 2005)
6. Call for best LIBRI student paper 2005
7. Course Preventive Conservation: reducing risks to collections, Rome, Italy,
6-24 June 2005
posted by the ECPA Secretariat, with apologies for cross-posting
1. ARSC grants program in the field of sound recording and audio preservation.
Message forwarded from the listserve of the Association for Recorded Sound
(ARSCLIST).
_____Forward header_____
Date: Fri, 3 Dec 2004 17:49:27 -0500
From: Bill Klinger <klinger at MODEX.COM>
Subject: ARSC Grants Program
Hello, All!
The ARSC Grants Program supports projects, scholarship, and publication in
the fields of sound recording and audio preservation. Projects eligible for
support include discography, bibliography, historical studies of the sound
recording industry and its products, and any other subject likely to
increase the public's understanding and appreciation of the lasting
importance of recorded sound. ARSC encourages applications from individuals
whose research forms part of an academic program at the master's or doctoral
level.
Both ARSC members and non-members are eligible for grants in amounts up to
$1000. Grant funds can be used to underwrite clerical, travel, and editorial
expenses. Funds may not be used to purchase capital equipment or recordings,
to reimburse applicants for work already performed, or to support projects
that form part of a job.
Applications for an ARSC Grant should include:
-- A summary of the project (one page maximum), with samples of the work, if
possible.
-- A budget covering the entire project and highlighting the expenses the
ARSC Grant will cover (one page maximum).
-- A curriculum vitae.
-- An indication of the prospects for publication or other public
presentation of the project results.
Applications should be sent to Richard Warren, Grants Committee Chairman,
Historical Sound Recordings, Yale University Library, P. O. Box 208240, New
Haven, CT 06520-8240, U.S.A. The deadline for receipt of applications is
February 28, 2005.
Anna-Maria Manuel
ARSC Outreach Committee Chair
*****End of forwarded message*****
2. Call for papers - IASA Conference 2005, Barcelona, 11-15 September (En-Sp)
Message forwarded from iasalist, the list serve of the International
Association of Sound and Audio
visual Archives (IASA).
_____Forward header_____
From: efj at STATSBIBLIOTEKET.DK
Date: 12/04/04 11:48am
Subject: Call for papers - IASA Conference 2005, Barcelona
Dear Colleagues,
On behalf of the Programme Planning Committee I have the pleasure to
announce the first call for papers for the IASA Conference 2005 in
Barcelona.
Please send your proposal along with your name and address to:
Shubha Chaudhuri: <shubha at ernet.in> or <shubhac at yahoo.com>
Please note the deadline: January 31st 2005.
Kind regards,
Eva Fřnss-Jřrgensen
Secretary General
IASA
IASA CONFERENCE 2005, BARCELONA, 11 - 15 SEPTEMBER
FIRST CALL FOR PAPERS
"Archives speak: who listens?"
Digital technology and the increasing demand for audiovisual material in
support of learning, structured or personalised, have encouraged
archives to
increase their promotional activities and raise their public profile
accordingly. But how much do we know about our audiences, their
expectations
and intentions? What are the obligations, legal and moral, particularly
with
respect to the creators of the content we collect, which constrain our
interactions with these audiences. What is the impact on the traditional
set
of skills expected of an audiovisual archivist?
IASA seeks proposals for papers, of not more than twenty minutes duration,
that address one or more of the following sub-themes that can be associated
with the new emphasis on disseminating archival content:
* User demands in the era of digitisation
* Archives and collaborative ventures
* User expectations and user perspectives of archives
* Preservation vs. Dissemination
* The Digital Divide - serving users outside the digital domain
* Promotional strategies for archives
* Moral and legal obligations for the archive and their users
* New technologies and models for dissemination Digital demands - the
changing profile of archives
* The community and the archive
* Archives as custodians of social memory.
In addition, the Programme Committee is keen to receive proposals for
papers
that feature recent experiences of promotional activities and that draw
comprehensively on different types of audiovisual recordings (i.e. oral
history and language, environmental sounds and actuality as well as
recordings of music and literature). The Committee seeks proposals that
include visual content as well as audio.
Please send your proposal along with your name and address to:
Shubha Chaudhuri: <shubha at ernet.in> or <shubhac at yahoo.com>
Proposals must be accompanied by an abstract of not more than 150 words.
The
deadline for this first call for papers is January 31st 2005. Contributors
will be notified during March of the Programme Committee's decision.
------
CONGRESO DE LA IASA 2005, BARCELONA, 11-15 DE SEPTIEMBRE
PRIMERA PETICIÓN DE PONENCIAS
"Los archivos hablan: żquién escucha?"
La tecnología digital y la demanda creciente de materiales audiovisuales
como apoyo a la enseńanza, estructurada o personalizada, han alentado a los
archivos a incrementar sus actividades de promoción y a adaptar en
consecuencia su perfil público. Pero żqué es lo que sabemos de nuestra
audiencia, de sus expectativas y de sus intenciones? żcuáles son las
obligaciones de tipo legal y moral, especialmente con respecto a los
creadores del contenido de nuestras colecciones, que determinan nuestra
relación con dicha audiencia? żcuál es la repercusión en las tareas
tradicionales de un archivero encargado de los documentos audiovisuales?
IASA convoca la presentación de ponencias, de no más de 20 minutos de
duración, relacionadas con uno o más de los siguientes sub-temas y que se
puedan asociar con la importancia que actualmente está adquiriendo la
difusión del contenido de los archivos:
* Demandas del usuario en la era digital
* Archivos y acciones cooperativas
* Expectativas y perspectivas del usuario respecto a los archivos
* Preservación versus difusión
* La Brecha Digital (Digital Divide) - el servicio a los usuarios sin
acceso al entorno digital
* Estrategias de fomento de los archivos
* Obligaciones morales y legales para el archivo y sus usuarios
* Nuevas tecnologías y modelos para la difusión de las peticiones
digitales - el perfil cambiante de los archivos
* La comunidad y el archivo
* Archivos como guardianes de la memoria social
La lengua oficial del congreso es el inglés. Excepcionalmente, para este
congreso se aceptarán ponencias en castellano si ello facilita la
participación de los ponentes de países de habla hispana. El Comité de
Programa está interesado en recibir propuestas de ponencias que describan
experiencias recientes de actividades de difusión y que abarquen de forma
conjunta los diferentes tipos de grabaciones audiovisuales (p. e.: historia
oral y lenguaje, sonidos ambientales y de la realidad, así como grabaciones
de música y literatura). El Comité recomienda que las propuestas contemplen
la inclusión de elementos visuales y de audio.
Por favor, remitan sus propuestas con su nombre y dirección a:
Shubha Chaudhuri: <shubha at ernet.in> o <shubhac at yahoo.com>
Las propuestas deben incluir un resumen de no más de 150 palabras. La fecha
límite para esta primera convocatoria es el 31 de Enero de 2005. Los
participantes serán informados sobre la decisión del Comité de Programa
durante el mes de Marzo.
*****End of forwarded message*****
3. Proceedings: Performance Documentation and Preservation in an Online
Environment (for sale)
Message forwarded from AMIA-L, the list of the Association of Moving Image
Archivists.
_____Forward header_____
Date: Sat, 4 Dec 2004 20:15:15 -0500
From: sarah ziebell mann <cfszm at HOTMAIL.COM>
Subject: Proceedings: Performance Documentation and Preservation in an Online
Environmen
Theatre Library Association announces the publication of the Proceedings
from its Symposium held October 10, 2003 at Lincoln Center, Performance
Documentation and Preservation in an Online Environment. It was one of the
first international conferences to address the cutting-edge issues of
performing arts documentation in a virtual environment. Archivists,
librarians, curators, conservators, scholars and practitioners participated
in a dialogue about:
ˇ Documentation of online performance
ˇ Techniques for performance documentation, reconstruction, and preservation
in a digital environment
ˇ Development of metadata standards for description and preservation
ˇ Models and international consortia for performance and installation
documentation and exchange
--------------------------------------------------------------------------------
-------------------
--------
CONTENTS:
Towards a Digital Code of Hammurabi
Linda Tadic
Archiving and Digital Performance
Cheryl Faver
GloPAC: Creating Digital Resources for a Global Audience
Karen W. Brazell
Virtual Vaudeville: A Digital Simulation of Historical Theatre
David Z. Saltz
"What Happens When the Money Runs Out?": Librarians and the Digital
Resources Challenge
Catherine Owen
Just a Phase We're Going Through?
Barry Smith
Performing the Past: The Virtual Revolution in Performance History
Hugh Denard
Berkeley Art Museum/Pacific Film Archive
Richard Rinehart
Archiving the Avant Garde: Documenting and Preserving Variable Media Art
Richard Rinehart
Digital Performance: Damnation or Salvation?
Jon Ippolito
Accommodating the Unpredictable: The Variable Media Questionnaire
Jon Ippolito
Longevity of Electronic Art
Howard Besser
Where is There?: Internet 2 and Multisite Performances
Ann Doyle
--------------------------------------------------------------------------------
-------------------
--------
ORDER INFORMATION:
Please send check in U.S. funds for $30 to:
Theatre Library Association
c/o The New York Public Library for the Performing Arts
40 Lincoln Center Plaza
New York, New York 10023
*****End of forwarded message*****
4. December issue of the SPARC Open Access Newsletter
Message forwarded from DIGLIB-L, discussion list for digital libraries
researchers and librarians.
_____Forward header_____
From: Peter Suber peters at earlham.edu
Date: 12/02/04 05:46pm
Subject: December issue of the SPARC Open Access Newsletter
* Announcement [cross-posted] *
I just mailed the December issue of the SPARC Open Access Newsletter. In
addition to the usual round-up of news from the past month, it takes a
close look at the Congressional approval of the NIH public access plan and
the UK government response to the open-access recommendations from the
House of Commons Science and Technology Committee. Among the news stories
given shorter takes are a series of national OA initiatives launched in
November, the Kaufman-Wills study of open-access journals, and Google Scholar.
December issue
http://www.earlham.edu/~peters/fos/newsletter/12-02-04.htm
How to subscribe and unsubscribe to the newsletter and discussion forum
http://www.arl.org/sparc/soa/index.html
The archive of back issues is open to non-subscribers
http://www.earlham.edu/~peters/fos/newsletter/archive.htm
Peter
----------
Peter Suber
Open Access Project Director, Public Knowledge
Research Professor of Philosophy, Earlham College
Author, SPARC Open Access Newsletter
Editor, Open Access News blog
http://www.earlham.edu/~peters/
peter.suber at earlham.edu
<>snip
*****End of forwarded message*****
5. Museums and the Web 2005: Preliminary Program and Registration On-line
(Vancouver, Canada, 13-16 April 2005)
_____Forward header_____
>From : "J. Trant" jtrant at archimuse.com
Date: 12/06/04 05:15pm
Subject: MW2005: Preliminary Program and Registration On-line
Museums and the Web 2005
Vancouver, British Columbia, Canada
April 13 - April 16, 2005
http://www.archimuse.com/mw2005/
Join hundreds of your professional colleagues from around the world
for the international conference devoted to culture and heritage
on-line: the ninth annual Museums and the Web.
** Preliminary Program Available **
http://www.archimuse.com/mw2005/index.html
Full details of the MW2005 program are now on-line. Descriptions of
11 pre-conference workshops, over 50 papers, 25 mini-workshops and 4
professional fora, a usability lab, and the Crit Rooms will help you
choose what to attend. The program for MW2005 was peer-reviewed by an
International Program Committee.
** Register On-line **
http://www.archimuse.com/mw2005/register/index.html
Complete your Early Registration by December 31, 2004 and save at
least $100. (Note: Registration rates are calculated based on the
date payment is received.)
** Participate in MW2005 **
If you missed the deadline for paper proposals, but have a great
project to showcase, you can still participate in MW2005. You have
until December 31, 2004 to propose to demonstrate your Web site. See
http://www.archimuse.com/mw2005/demos/index.html
Vendors of museum interactive multimedia technology, content
management and design services should consider the Exhibit Hall. See
the prospectus at http://www.archimuse.com/mw2005/exhibit/
** Scholarships **
http://www.archimuse.com/mw2005/scholarships/index.html
Every year Archives & Museum Informatics sets aside a proportion of
MW registration fees to sponsor a Scholarship Program. To be eligible
you must have made a significant contribution to the development of a
cultural or heritage Web site, and must demonstrate that you would
not be able to attend the meeting without support. Professionals from
the developing world are strongly encouraged to apply.
In addition, thanks to the Canadian Heritage Information Network
(CHIN), fifteen competitive scholarships to MW2005 are available
specifically for Canadians.
** Thanks **
http://www.archimuse.com/mw2005/sponsor/thanks.html
Our thanks to the Government of Canada for their contributions to
MW2005 through the Canadian Heritage Information Network (CHIN) and
Canadian Culture Online (CCO) initiatives of the Department of
Canadian Heritage.
** Can't Make it? Get the Book **
http://www.archimuse.com/pub.order.html
Selected Papers from Museums and the Web 2005 will be published in a
print volume, accompanied by all papers on CD-Rom. Order your copy
on-line.
Past papers from all MW conferences -- since 1997 -- are available
in print and on-line see
http://www.archimuse.com/conferences/speakers_list.html
** Join Us! **
Each year, MW draws the widest range of cultural and heritage web
designers, developers and users of any international event. Plan to
join us at what M2004 attendees called "a superlative conference" ...
"most inspiring, most effective, most creative".
We hope to see you there!
jennifer and David
--
David Bearman and Jennifer Trant
Co-Chairs: Museums and the Web 2005
April 13-16, 2005, Vancouver BC Archives & Museum Informatics
http://www.archimuse.com/mw2005/ 158 Lee Avenue
email: mw2005 at archimuse.com Toronto, Ontario, Canada
phone +1 416 691 2516 / fax +1 416 352-6025
*****End of forwarded message*****
6. Call for best LIBRI student paper 2005
_____Forward header_____
From: i.m.johnson at rgu.ac.uk
Date: 12/06/04 07:58pm
Subject: CALL FOR BEST STUDENT PAPER
K. G. Saur Verlag
Munich, Germany
Announces the 2005 annual award for
Best LIBRI Student Paper
Since 1950, through 55 volumes, LIBRI International Journal of Libraries
and Information Services has been a leader among scholarly journals in
the international library world. As part of its strategy to remain one
of the premier library journals, LIBRI is issuing a call for "Best
Student Paper of 2005." This competition supports LIBRI's goal of
publishing the best articles from the next generation of library and
information science professionals. We are proud once again to recognize
the very best article with this special award.
Students at all levels* are invited to submit articles with clarity and
authority. There is no stated theme. Research papers should address one
of the significant issues facing today's librarians and information
professionals. Case studies, best practices, and pure research papers
are all welcome.
Length: approx. 5000 words
Language: English
Deadline: May 31, 2005
The best paper will be selected by a independent panel consisting of
selected members of the Editorial Board, the Advisory Board and other
international experts. Submissions will be judged on the basis of
* originality of thought and observation
* depth of research and scholarship
* topicality of problems addressed
* the international readership of the journal
The article will be published in the 2005:3 issue. The author of the
winning article will be honoured with an award of 500.00 USD and with a
complementary subscription to LIBRI for 2006. If the quality of
competition warrants, some papers may be designated as honourable
mention and the authors will receive complementary subscriptions to
Libri for 2006. The normal provision to the author of 25 offprints
applies to all winners.
Manuscripts should be sent to the LIBRI Editorial Office,
Statsbiblioteket, Universitetsparken, DK 8000 Aarhus C, Denmark.
Electronic submissions are encouraged and may be submitted to
libri at statsbiblioteket.dk <mailto:libri at statsbiblioteket.dk > . Author
instructions are available at the LIBRI site at
http://www.librijournal.org/authorinst.html.
* Exception: Senior information scholars returning to school for
additional degrees outside the field of library and information science
are not eligible for this award.
*****End of forwarded message*****
7. Course Preventive Conservation: reducing risks to collections, Rome, Italy,
6-24 June 2005
Message forwarded from ICCROM eNews November 2004
date: 12/07/04 11:50am
_____Forward header_____
Preventive Conservation: reducing risks to collections
Applications are now open for the international course Preventive Conservation:
reducing risks to c
ollections, to take place at ICCROM, Rome, Italy, 6-24 June 2005.
Application deadline: 20 December 2004
http://www.iccrom.org/eng/training/events/2004_2005/200506PCC.htm
*****End of forwarded message*****
European Commission on Preservation and Access (ECPA)
P.O. Box 19121, NL-1000 GC Amsterdam,
visiting address: c/o KNAW, Trippenhuis, Kloveniersburgwal 29,
NL-1011 JV Amsterdam, The Netherlands
tel. ++31 - 20 - 551 08 39 fax ++31 - 20 - 620 49 41
URL: http://www.knaw.nl/ecpa/
------- End of forwarded message -------
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