<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Dear Sonia,<div class=""><br class=""></div><div class="">your Mail rings a couple of bells in my mind concerning painted bones although they might not nessecarily what you look for.</div><div class=""><br class=""></div><div class=""><br class=""></div><div class="">Grieshofer et al. (2004, 154) list several childrens toy farm animals from remote parts of Switzerland made of bones (astragali, metatarsi, phalanges, vertebrae), some of them painted.</div><div class=""><br class=""></div><div class="">Barthelmess (1994) has collected a series of painted whale shoulder blades used for various purposes from tavern signs to art objects.</div><div class=""><br class=""></div><div class="">Finally your mail reminded me of early modern anatomical models made from Ivory or bone sometimes displayed in 16th-17 century Wunderkammern. See e.g. here:</div><div class=""><a href="http://www.beyars.com/dbgfx/pix/1781_069-elfenbein-anatomie-frau-philippovich-300.jpg" class="">http://www.beyars.com/dbgfx/pix/1781_069-elfenbein-anatomie-frau-philippovich-300.jpg</a></div><div class=""><a href="http://www.zeller.de/img/anatomisches-modell-einer-schwangeren-frau-b5.jpg" class="">http://www.zeller.de/img/anatomisches-modell-einer-schwangeren-frau-b5.jpg</a></div><div class=""><br class=""></div><div class="">Regards</div><div class=""><br class=""></div><div class="">Christian</div><div class=""><br class=""></div><div class="">Refernces:</div><div class=""># Barthelmeß, Klaus (1994): Neun bemalte Walschulterblätter und ein beschnitzter Wal-Humerus (Oberarmknochen). – Deutsches Schiffahrtsarchiv 17, 253-272</div><div class=""><br class=""></div><div class=""># Grieshofer, Franz / Pallestrang, Kathrin / Witzmann, Nora (2004): Ur-Ethnografie – Auf der Suche nach dem Elementaren in der Kultur – Die Sammlung Eugenie Goldstern, Kataloge des Österreichischen Museums für Volkskunde 85, Wien<br class=""><div class="AppleMailSignature" id="6E829ABA-2468-4FC8-9F19-0AE9A6132548"> <div class="">--</div><div class="">KNOCHENARBEIT</div><div class=""><br class="webkit-block-placeholder"></div><div class="">Hans Christian Küchelmann</div><div class="">Diplom-Biologe</div><div class=""><br class=""></div><div class="">Konsul-Smidt-Straße 30, D-28217 Bremen, Germany</div><div class="">tel: +49 - 421 - 61 99 177</div><div class="">fax: +49 - 421 - 37 83 540</div><div class="">mail: <a href="mailto:info@knochenarbeit.de" class="">info@knochenarbeit.de</a></div><div class="">web: <a href="http://www.knochenarbeit.de" class="">http://www.knochenarbeit.de</a></div><div class="">web: <a href="http://www.knochenarbeit-shop.de" class="">http://www.knochenarbeit-shop.de</a></div><div class=""><br class="webkit-block-placeholder"></div><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br class=""><div><div class="">Am 22.07.2015 um 13:26 schrieb Sonia O'Connor:</div><br class="Apple-interchange-newline"><blockquote type="cite" class=""> <div id="divtagdefaultwrapper" class=""><p class=""> <span id="cid:0CADD9EC-4E1F-4163-86EB-68AD02DB8833@local"><HULLMKINCM2005.2422bullacet (1).JPG></span></p><p class=""> <br class=""> </p><p class=""> Dear All,</p><p class=""> <br class=""> </p><p class=""> I have attached a photo I took in Hull Maritime Museum - a cetacean auditory bulla painted to form a face. I was reminded of this when I received this Tweet this morning </p><p class=""> <a href="https://twitter.com/PatHadley/status/622016063690121218" class="">https://twitter.com/PatHadley/status/622016063690121218</a> <br class=""> </p><div class=""><br class="khtml-block-placeholder"></div> <div id="LPBorder_GT_14375630774510.059221873292699456" class=""> <div class=""> <div class=""> <div id="LPImageContainer_14375630774500.9635596559382975" class=""> <img aria-label="Preview image with link selected. Double-tap to open the link." width="121" height="140" src="https://pbs.twimg.com/media/CKHX5l6VEAAQaOv.jpg:large" class=""></div> <div id="LPTitle_14375630774510.906324980314821" class=""> Pat Hadley on Twitter: "New favourite artefact! @YorkCastle has a whole set of these horse vertebrae figures! <a href="http://t.co/Vbbae7lU6l" class="">http://t.co/Vbbae7lU6l</a> <a href="http://t.co/H3Ch5yle21" class="">http://t.co/H3Ch5yle21</a>"</div> <div id="LPDescription_14375630774510.04647640185430646" class=""> “New favourite artefact! @YorkCastle has a whole set of these horse vertebrae figures! <a href="http://t.co/Vbbae7lU6l" class="">http://t.co/Vbbae7lU6l</a>”</div> <div id="LPUrlContainer_14375630774510.6664982445072383" class=""> Read more...</div> </div> </div> </div> I think these objects qualify as 'worked'. <div class=""><br class="khtml-block-placeholder"></div><p class=""><br class=""> Both these objects are relatively recent survivals (the preacher is possibly 18th C and the face 19th or even 20th C). Can anyone post other/earlier examples? What other species/skeletal elements were used and what were the subjects that these natural shapes inspired? I wonder how far back this traditions goes? There are now many records of painted pebbles from sites, such as those from Shetland <a href="http://www.archaeologyreportsonline.com/PDF/ARO12_Painted_Pebbles.pdf" class="">http://www.archaeologyreportsonline.com/PDF/ARO12_Painted_Pebbles.pdf</a> for instance. Even if the paint is lost sometimes the bone many have been modified a little to enhance the shape or add detail. </p><p class=""> <br class=""> </p><p class=""> Unlike gaming pieces, these objects are not necessarily functional but might still have been significant to their owners in other ways. Perhaps just the pleasing shape of some bones led to them being retained and handled (in the way that some fossils clearly were and still are by the finder). Humour is something that is difficult to detect through the study of bone finds but these two examples appear to me to be comical. Possibly some bones were kept as lucky charms? </p><p class=""> <br class=""> </p><p class=""> The evidence might be quite slight but I think this would be a fascinating area to investigate. Is anyone doing this?</p><p class=""> <br class=""> </p><p class=""> Sonia</p><p class=""> <br class=""> </p><p class=""> <br class=""> </p> <br class=""><p class=""> <br class=""> </p> <div id="Signature" class=""> <div name="divtagdefaultwrapper" class=""> Dr Sonia O'Connor PhD FSA FIIC ACR Honorary Visiting Fellow, University of York <div class="">Post-doctoral Researcher</div> <div class="">Archaeological Sciences</div> <div class="">Division of AGES</div> <div class="">University of Bradford</div> <div class="">Bradford, West Yorkshire, BD7 1DP</div> <div class=""><br class=""> </div> <div class="">Tel 01274 236498</div> </div> </div> </div> <span id="cid:2c666577-064f-426b-b79b-9d0c0dbdfdaa"><HULLMKINCM2005.2422bullacet (1).JPG></span><div class="">_______________________________________________</div><div class="">Bonetools mailing list</div><div class=""><a href="mailto:Bonetools@listserv.niif.hu" class="">Bonetools@listserv.niif.hu</a></div><div class=""><a href="https://listserv.niif.hu/mailman/listinfo/bonetools" class="">https://listserv.niif.hu/mailman/listinfo/bonetools</a></div> </blockquote></div><br class=""></div></body></html>