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Here, I inform Jean-François Goret and I REPARE AN EMBARRASSING
LAPSUS CALAMI/CLAVI in my writing..<br>
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<th align="RIGHT" nowrap="nowrap" valign="BASELINE">Date : </th>
<td>Sat, 30 Mar 2013 14:10:04 +0100</td>
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<th align="RIGHT" nowrap="nowrap" valign="BASELINE">De : </th>
<td>François Poplin <a class="moz-txt-link-rfc2396E" href="mailto:poplin@mnhn.fr"><poplin@mnhn.fr></a></td>
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<th align="RIGHT" nowrap="nowrap" valign="BASELINE">Pour : </th>
<td>Mailing list for archaeologists of the research group for
the study of object and waste of bone, antler. ivory and
horn. <a class="moz-txt-link-rfc2396E" href="mailto:bonetools@listserv.niif.hu"><bonetools@listserv.niif.hu></a></td>
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<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">I would like to come today to
the theme "a piece, two objects".</span><!--[if supportFields]><span
style='font-size:14.0pt;font-family:"Times New Roman";letter-spacing:-.15pt'><span
style='mso-element:field-begin'></span>PRIVATE </span><![endif]--><!--[if supportFields]><span
style='font-size:14.0pt;font-family:"Times New Roman";letter-spacing:-.15pt'><span
style='mso-element:field-end'></span></span><![endif]--><span
style="font-size: 14.0pt;font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p></o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">The piece proposed by Erik
Farrell does not fit very well for me with what I have to
express, mainly because of the wear of the formerly broken end ;
it puzzles me to much, and even the break it covers is not that
clear in my mind. I'll take a better example/case.<o:p></o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">Some words before : there are
cases were the function is not changed, where the object is the
same. For example, it may occur that a hole pierced through the
tip of the root (<i>apex dentis</i>) of a carnivore canine
breaks, and that a new/second hole is pierced a little bit
further, providing an image of "one and a half" pierced pendant.
This is reparing, there is continuation, the function is the
same (fr. "reprise" opposite to "remploi", where the function is
another one).<o:p></o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">A new function is precisely
the case in fig. 4 in the paper of Idola Grau-Sologestoa (*), to
whom I write my remarks and who answers very kindly, so as we
starded an harmonious fruitfull dialogue in which I feel free to
express my thoughts, even without linguistic limitation,
as/because I may write my mother tongue. With help of a
dictionary, I dare to say that I feel crippled in Shakespeare's
language, and feel more how much I maim it.<o:p></o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">On that bone, the previously
unclear wear (on the FARELL'S PIECE) becomes a marvelous source
of light, and the break is evident in its causality/etiology :
it is the end and conclusion of an in force use, in which the
main hole grew till the remnant vanishing part of the bone wall
could not resist any longer. This long and mighty use produced a
wear done by human hand, and even by both hands of a man ; a
wear for which it's difficult to find a suitable name, at least
in french (**). It's a kind of polish. I do not want to enter
this terminological problem here, I prefer to stress this : they
are two things to be considered, fr. <i>poli à la main</i> and
<i>poli par la main</i>, polish done with hand (holdind a
polisher) and left by the hand (itself). We have to consider the
later more than nowadays.<o:p></o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">Have a look to the beautiful
die from Meulan, make zoom on the 6 faces and 21 eyes. You will
see soon that faces of 3 and 4 are transversal (annuli become
clear with some magnification), facing extremities (distal or
proximal, is indistinct), and that their eyes are not seriously
damaged by the wear/polishing. The 6, on the outer/periostical
face, and the one, of the inner/medullary face, are deeply
damaged. The one-eye has lost its circle (it has been re-carved
roughly with a pin), its central point/<i>fovea</i> ("pupil",
let us say) remains alone and few, as on the 6. The 2 an the 5,
on radial sections, have suffer something inbetween. You may
imagine an ellipsoid of bone hardness, as in wood (where it's so
difficult to plane on the transverse sections), and we must
congratulate the dice maker to have carved these eyes which open
ours on the phenomenon of wear/polishing of the surfaces by
hands.<o:p></o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">It's now week-end. I leave
you with that piece of chess for playing.<o:p></o:p></span></p>
<p class="MsoNormal"
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mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">Your's sincerely<o:p></o:p></span></p>
<p class="MsoNormal"
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mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size: 14pt; font-family: "Times New
Roman"; letter-spacing: -0.15pt;"><o:p>(*) </o:p></span><a
moz-do-not-send="true"
href="http://www.aranzadi-zientziak.org/fileadmin/docs/Munibe/2012305319AA.pdf">http://www.aranzadi-zientziak.org/fileadmin/docs/Munibe/2012305319AA.pdf</a></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="text-align:justify;text-justify:inter-ideograph;
mso-line-height-alt:12.0pt;mso-hyphenate:none"><span
style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt">(**) this is not, despite
common/faulse uses, fr. <i>patine</i>, engl. <i>patina</i>,
which is an added coloration (cf. verdigris) ; it is rather
close to italian adjective <i>frusto</i> ; german <i>Schliff </i>is
the most appropriate term that I know.<o:p></o:p></span></p>
<p class="MsoNormal"
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style="font-size:14.0pt; font-family:"Times New
Roman";letter-spacing:-.15pt"><o:p> </o:p></span></p>
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<pre class="moz-signature" cols="72">--
François POPLIN
Directeur honoraire de l’UMR 7209 Archéozoologie, Archébotanique : sociétés, pratiques et environnements
Responsable du Séminaire d'Anthropozoologie
Muséum national d'Histoire naturelle
CP 56
Ancien Laboratoire d’Anatomie comparée
55, rue de Buffon
75005 Paris
01 40 79 33 11
fax ------ 33 14
francoispoplin.blogspot.com
</pre>
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